Wednesday, January 8, 2014

Chanel

In the fashion industry there are many logos that can be recognised purely by the imagery used in their brand identity.

Despite often being fairly minimal or simple, the imagery has become iconic for the brands it represents.

The Chanel logo features two interlocking "C" to represent founder Coco Chanel, who designed the imagery herself. It has become one of the most iconic logos of all time and has remained unchanged since 1925. The use of black signifies elegance and wealth, a theme which is echoed throughout the entire brand.




The use of black signifies elegance and wealth, a theme which is echoed throughout the entire brand.


Vogue UK.

Vogue.co.uk Homepage

In-text: (Vogue UK, 2014)
Bibliography: Vogue UK. 2014. Vogue.co.uk Homepage. [online] Available at: http://www.vogue.co.uk/person/coco-chanel [Accessed: 8 Jan 2014].


Tuesday, January 7, 2014

FCUK Visual Analysis






The FCUK logo for French Connection, much like their overall style is minimal and concise.  The typeface Eurostyle makes the logo easily recognisable and there is no mistaking which brand it is.

The logo is easy to adapt season to season without straying too far from its roots. 

The acronym, which is used in place of a well known swear word, can be read as said word without causing confusion. 

This part of the French Connection branding has become synonymous with the explicit and sometimes offensive advertising it was used in during the late 90s. By some it is considered vulgar and in poor taste. Much like the Burberry check, it has become a part of history French Connection worked hard to move away from.

From this analysis it can be established that design did not contribute to the downfall of French Connection as a brand. The identity of the brand, intended to be cool and rebellious, became synonymous with everything crass and vulgar.


FCUK Campaign Analysis


Source: Web Article
URL: http://www.creativereview.co.uk/back-issues/creative-review/2010/april-2010/crit-french-connection
Title: The Rebirth of French Connection
Author: Patrick Burgoyne
Year: 2010
References: 
Creativereview.co.uk.
Creative Review - The rebirth of French Connection
In-text: (Creativereview.co.uk, 2014)
Bibliography: Creativereview.co.uk. 2014. Creative Review - The rebirth of French Connection. [online] Available at: http://www.creativereview.co.uk/back-issues/creative-review/2010/april-2010/crit-french-connection [Accessed: 7 Jan 2014].

Quote:

"While French Connection’s FCUK campaign of the late 90s cemented Trevor Beattie’s reputation and shifted a lot of gear, wise old heads wondered what the long-term impact on the brand might be. The shock tactics and naughty wordplay burned bright, but once the joke wore thin, so did customers’ appetite for the retailer. Of course other factors come into play in the success or otherwise of a high street chain but French Connection has endured a period of some decline since."

The FCUK campaign used by French Connection was adopted in 1997, although the acronym was used on administrative memos and documents prior to this. It involved incorporating the term FCUK throughout advertising campaigns and eventually printed on tshirts. The campaign was intended to be tongue-in-cheek and anti-establishment, based on what clothing stores wouldn't usually do in their advertising. Captions included;

"cool as fcuk"
"fcuk fashion"

The campaign was controversial and sparked a press frenzy with each new advert. Trevor Beattie, creator of the campaign, played down the controversy saying;

"FCUK is an advertising idea which became a brand. The T-shirts have got us into more trouble than the advertising in terms of press coverage. Yet I never saw the advertising as offensive. When you think of what else is happening in the world it puts it all into perspective - it really isn't that important. But the facts speak for themselves: we used it in advertising; the ASA put us in the sin bin; we came out; we sinned again; we went back in"

Reference

Carter, M.

What the FCUK ads are about

In-text: (Carter, 2004)
Bibliography: Carter, M. 2004. What the FCUK ads are about. [online] Available at: http://www.theguardian.com/media/2004/sep/13/mondaymediasection1 [Accessed: 7 Jan 2014].



Despite the controversy and offensive nature of the campaign, the adverts and tshirts got people talking about French Connection. They broke the rules of conventional fashion advertising and redefined how graphic design was used in fashion. The aftermath of the campaign served French Connection with an undesireable association with "lad" behaviour and an unsophisticated tone across the entire brand. The FCUK campaign was intended, as Beattie defended, as a one off idea yet became a brand in itself. 

Following on from the campaign, French Connection had to work hard to distance themselves from the reputation they had inadvertently created. Future advertising had a chic and minimal aesthetic and incorporation of humorous copy. 





Monday, October 28, 2013

Anna Wintour Quote


Source: Web Article
URL: http://landor.com/#!/talk/articles-publications/articles/what-your-brand-can-learn-from-anna-wintour/
Title: What your brand can learn from Anna Wintour
Author: Landor
Year: 2012
References: 
“Anna Wintour biography,” Bio, biography.com/people/anna-wintour-214147?page=1 (accessed 2 August 2012).
“Anna Wintour, Behind the Shades,” CBS News (17 May 2009),cbsnews.com/2100-18560_162-6521340.html (accessed 2 August 2012).
“US Vogue is magazine of the year,” The Telegraph (6 October 2011),fashion.telegraph.co.uk/article/TMG8811407/US-Vogue-is-magazine-of-the-year.html (accessed 2 August 2012).
“Coco Chanel,” British Vogue, vogue.co.uk/spy/celebrity-photos/2009/07/17/coco-chanel-quotes-and-photos/gallery#/image/4 (accessed 2 August 2012).

Quote
"Innovate but stay true to your identity: Wintour has a flair for the unconventional—she spearheaded the “high-low” fashion trend now commonplace in the industry. Her very firstVogue cover featured a young model wearing a $10,000 jewel-encrusted T-shirt paired with a $50 pair of jeans. The mixing of high with low was born.1"

"If Wintour didn’t coin the phrase “employee brand engagement,” she should have. Employees understand and execute the Vogue culture perfectly, from what they wear to where they party. This culture, directly dictated by Wintour herself, establishes working atVogue as a way of life rather than merely a job."


Analysis
The way Anna Wintour has "branded" American Vogue can be executed to work in the branding of any product/service. In the fashion industry a clear vision for a brand is key to creating a identity that distinguishes a company from the competition. It represents what they stand for. However as the fashion industry is ever changing and trend dictated, creating a brand that is flexible enough to move with the times yet maintain their image is essential.

Establishing this ideal that "working at Vogue (is) a way of life rather than merely a job" is due to Anna Wintour's effective use of branding. A brand is an ideal. The product is seen as the gateway to achieving this ideal lifestyle. Wintour represents her brand in every aspect of Vogue. Employees represent the brand and must understand the core values they are representing.

Thursday, October 24, 2013

7


Source: Video
Title: Mulberry Spring Summer 2014 Interviews
URL: https://www.youtube.com/watch?v=BlrZHBnLLTg
Year: 2013



Quotes

Mark Holgate - Vogue
“I think it’s very rare that you get a combination of Englishness, fun and luxury...those to me are the three things that unite Mulberry.”
Paula Reed - Harvey Nichols
“English to the core, and yet it’s a very global brand as well. They’ve managed to market that Britishness in a very modern way.”


Potential Question


Key Aspects
Graphic Design
Fashion
Brands
Short term and long term goals



How is graphic design used in fashion to create an iconic yet off the moment brand.

In an industry of ever changing trends, how can graphic design be used in fashion to create a brand that stands the test of time.

How can graphic design be used in fashion to communicate a brand's core values. In a trend dominated industry can a brand be both "of the moment" and timeless?



6


Source: Book
Title: No Logo
Surname: Klein
Initial: N
Page: 24
Year: 2000
Publisher: Flamingo
ISBN 0 00 255919 6

Quote

"Tommy Hilfiger, meanwhile, is less in the buisness of manufacturing clothes thn he is in the business of signing his name. the company is run entirely through licensing agreements, with Hilfiger commissioning all its products from a group of other companies. What does Tommy Hilfiger manufacture? Nothing at all."

Analysis

An example of how powerful a brands reputation can be. Tommy Hilfiger is famous as a name rather than for its designs. Although this can be commercially successful for a company, using graphic design to highlight the actual design of a product/service is better in the long run. Tommy Hilfiger have created a brand based on a name people want to be seen with.